Comparison of Ingre's 'Grande Odalisque' and Titan's 'Venus of Urbino' Essay

Comparison of Ingres Grande Odalisque and Titans Venus of Urbino - Essay ExampleThe depiction of the female nudity in history of device exists in plenty as does the archetype from which these nudes got styled. Titian and Ingres were deliberated as some of the most signifi tummyt artists of their date accredited with being broad - minded and conservative (Gardner 290). Noting the painters and paintings, they stem as genius on their own considering their individual contributions which are monumental to the corresponding movements. Through identifying these works through their separate form content and context, the twain works will be compared and contrasted.It remains easy to describe Ingres as a consistent supporter of the Neo - Classical stylishness from his period in Davids studio to the mid19th century. Ingres returned to Neo - Classics after having overruled the lessons of David, his teacher, and after having practise the foundation for the emotional Romanticism expressivenes s, the new style of young Delacroix and Gericault that Ingres would ultimately defend. Ingres early Romantic penchants can be seen most legendarily in his work La Grande Odalisque painted in 1814.On Ingres, Grande Odalisque, a languid nude is outlaid in a sumptuous interior. On its first glance this nude appears to follow in the convention of the Venetian masters, for instance, Venus of Urbino (1538) by Titian. However, upon closer scrutiny, it seems that this is not a classical setting. Instead, Ingres has generated a far eroticism emphasized by its exotic context. This work is full of sensuality, idealization and mystery. The background seems quite undefined with a purported black portion that makes it more attractive. The dissimilar shades of bluish clothing and decorations make the picture more striking to the viewer. The womans gaze, like Titans Venus, is directed straight towards the spectator pump and the fan made of peacock feathers in her hand looks as if it has just bee n used. Odalisque position and size gives a deeper meaning although, it is much more than a bare lady staring at the viewer. She reflects her life as a concubine, on her duties. She is believed to have been part of the sultans harem, she was there to satiate the lascivious pleasures of the sultan, patronage what she may want or feel. She reflects a woman with deep thoughts, complex feelings and emotions (Lewis 328). In the cognizance of a 19th century French male observer, the physical body of individual for whom this picture was made from, the odalisque would have made up not only a harem slave, being itself a fallacy, but a set of desires and fears connected to the long aggression history between Islamic Asia and Christian Europe. Certainly, Ingres porcelain sexuality is acceptable even to a progressively prudish French assimilation due to its subjects distance. While the Renaissance painter Titan veiled his eroticism in myths, Ingres covered his piece of desire in a murky exot icism. several(prenominal) art historians suggest that colonial politics played a role too on the work. France was expanding its African and Eastern possessions, often brutally at this time (Gardner 441). The myth of the barbarian served the French who would then claim a moral authoritative. Incidentally, on clear look, anyone can notice something wrong with the figures anatomy. Titian is deliberated to have been an outstanding Venetian painter of the 16th - century, and the former of the Venetian colorist and painterly tradition. He remains one of the significant figures in the Western art history. Tiziano Vercelli got born in the northerly Venice, in 1477. He got trained by both Giorgione and Bellini, and after